WTF Fun Fact 13707 – The Biro

Why do some people call ballpoint pens a biro?

The ballpoint pen was introduced in 1945, by a man named László Bíró, a Hungarian journalist. In 1945, his simple yet revolutionary writing instrument was introduced to the world.

This innovation dramatically transformed the act of writing, making it more accessible and practical than ever before.

Rise of the biro

Biró found fountain pens impractical, so he sought an alternative. His quest was also inspired by the quick-drying ink used in newspapers.

Partnering with his brother György, Bíró embarked on refining the ballpoint pen to use a paste-like ink that didn’t evaporate, mitigating the common frustrations associated with fountain pens. Bíró created a pen that revolutionized writing by introducing a rolling ball mechanism that evenly distributed ink as it moved across the paper.

Despite its initial luxury status, the pen’s practicality soon became undeniable. Its ability to write on various surfaces without leaking or smudging was a significant advancement over traditional ink and quill or fountain pens.

Global adoption

The Biro’s journey was not without its challenges. Navigating through financial difficulties, patent disputes, and wartime turmoil, Bíró’s invention found a lifeline in Argentina. Later, the British Ministries of Supply and Aircraft Production recognized the Biro’s utility for RAF pilots, propelling it into mass production. The post-war period saw further innovations, with entrepreneurs like Marcel Bich refining the design to manufacture the Bic Cristal, an affordable and ubiquitous model that cemented the ballpoint pen’s place in society.

Despite initial challenges, including fleeing war-torn Europe for Argentina, Bíró’s invention gained recognition for its practicality. The British Royal Air Force saw the pen’s potential. They ordered thousands for their pilots, who needed reliable writing instruments at high altitudes. This marked the beginning of the Biro pen’s global journey.

That’s why the name “Biro” is more than just a brand; it’s an homage to the inventor himself. In many parts of the world, the term “Biro” is synonymous with “ballpoint pen.” This is a testament to László Bíró’s lasting impact. The pen’s name varies globally, reflecting its widespread adoption and the universal need it addressed. In English-speaking countries, particularly the UK, the pen is often called a “Biro” in recognition of its creator’s ingenuity.

Transforming Writing Practices

The Biro’s simplicity belies the complexity of its impact. This shift facilitated a more dynamic and accessible form of communication, democratizing writing across different strata of society.

The story of Biro’s influence on writing practices invites us to appreciate the seemingly mundane objects that harbor rich histories.

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Source: “The Biro, the invention that changed the writing game” — New Atlas

WTF Fun Fact 13697 – Hating the Sound of Your Own Voice

Do you cringe at the sound of your own voice? Many people experience a jolt of surprise and often discomfort upon hearing their own voice played back to them.

This widespread phenomenon is rooted in the differences between how we perceive our voices internally versus externally. The crux of this experience lies in the lower pitch of recorded voices, a disparity that can unsettle the speaker.

Internal vs. External Sound Perception

When we speak, we hear our voices in two ways: through air conduction and bone conduction. Air conduction transmits sound waves through the air and into our ears, the same way we hear other sounds around us. Bone conduction, however, involves the transmission of sound vibrations through the bones of the skull and jaw directly to our inner ears. This method adds depth and richness, making our own voices sound fuller and usually lower in pitch to ourselves.

The Recording Revelation

Upon hearing a recording of our voice, we encounter the sound purely through air conduction, devoid of the bone conduction component. This version lacks the depth and resonance we’re accustomed to, often sounding higher in pitch and foreign to our ears. The absence of the vibrations we expect to feel and hear creates a cognitive dissonance. This, in turn, leads to the common dislike or discomfort towards the sound of one’s recorded voice.

This discrepancy can have psychological effects, from mild embarrassment to more profound impacts on self-perception and confidence. The surprise and discomfort stem from confronting an externalized version of ourselves that doesn’t match our internal perception.

This can challenge our self-image and the identity we project through our voices, integral to personal and social interactions.

Overcoming Discomfort With Your Own Voice

Understanding the science behind why our recorded voice sounds different can mitigate the discomfort. Professionals who rely on their voices—singers, actors, and public speakers—often undergo training to become accustomed to the sound of their recorded voice. This helps minimize the cognitive dissonance.

Regular exposure and technical knowledge about sound perception can ease the initial shock. This also helps lead to a more objective assessment of one’s vocal qualities.

In summary, the common aversion to the sound of one’s recorded voice is a fascinating intersection of physics, physiology, and psychology. It underscores the complex ways in which we perceive, process, and react to auditory feedback about ourselves.

Recognizing the natural basis for the difference between internal and recorded voice can foster acceptance and understanding, demystifying why the voice in our head doesn’t match the one on the recording.

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Source: “A Link Between Hearing Voices and Hearing Your Own Voice” — New York Times