WTF Fun Fact 13655 – Ice Age Fire Art

Surviving the Ice Age required more than just hunting and gathering – there was fire art. OK, hear us out.

As they gathered around fires for warmth and safety, something more than just physical comfort emerged. This was a time for them to indulge in an artistic pursuit that continues to fascinate us today.

The Paleolithic Animator and Ice Age Fire Art

In recent research published in PLOS ONE, a team led by archaeologist Andy Needham proposed an intriguing idea. They suggested that Ice Age artists used the flickering light of fire to bring their stone carvings to life.

These 15,000-year-old limestone plaquettes, adorned with animal figures, were not just static art. Instead, under the dynamic light of a fire, they appeared to move, animating the etched creatures. Fire art!

Needham’s team studied various limestone plaquettes found at the Montastruc rock shelter in southern France. These carvings, attributed to the Magdalenian culture, showcased a range of animals like horses, ibex, and reindeer.

Interestingly, these plaquettes showed signs of thermal damage, suggesting exposure to fire. But was this intentional?

Experimental Archaeology Sheds Light

To answer this, the researchers turned to experimental archaeology. They created replica plaquettes and subjected them to different fire scenarios. These experiments aimed to replicate the pinkish discoloration seen on the originals. The results? The patterns suggested that the artworks were deliberately placed near the hearth, likely as part of the creative process.

Further exploring this idea, the team used virtual reality to simulate firelight’s effect on the plaquettes. The results were fascinating. The irregular lighting from the fire brought an illusion of movement, making the animals seem like they were alive and moving across the stone surface.

The Role of Pareidolia in Ice Age Fire Art

This phenomenon can be partly explained by pareidolia, where the human brain perceives familiar patterns in random objects. In the flickering firelight, viewers would see incomplete forms on the plaquettes. Their brains would fill in the gaps, creating a dynamic viewing experience.

The Ice Age artists might have used this to their advantage. They could start with natural rock features to shape their animals, allowing the firelight to complete the picture. This interaction between the art, the rock’s natural form, and the dynamic firelight created a captivating experience, unique to the Paleolithic era.

Beyond survival, these artistic endeavors provided a social outlet. After a day of survival tasks, our ancestors likely gathered around the fire, not just for warmth but for a communal experience. Here, they could indulge in storytelling, companionship, and artistic expression.

The act of creating art by firelight was perhaps as important as the art itself. It wasn’t just about the final product but about the process of creation, the gathering of minds, and the sharing of ideas. This communal aspect of Ice Age art adds a deeply human dimension to our understanding of these ancient peoples.

Art as a Cultural Practice

Ice Age art wasn’t merely aesthetic; it was a cultural practice imbued with meaning. The process of drawing, the summoning of spirits, and even acts of destruction (like deliberate breakage or fire damage) could have had significant roles in their society.

These artistic sessions by the firelight might have served multiple purposes – from summoning spirits to strengthening community bonds. The plaquettes, once used, could have been discarded or intentionally destroyed, suggesting a transient nature to this art form.

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Source: “Ice Age Artists May Have Used Firelight to Animate Carvings” — Smithsonian Magazine

WTF Fun Fact 13653 – Vomitoriums

The ancient vomitoriums apparently had nothing to do with vomiting at all!

The “vomitorium” has long been associated with images of ancient Romans indulging in excessive feasting only to purge themselves to eat more. However, this widespread belief is a historical misconception. The real meaning of vomitorium in Roman culture was quite different and far less grotesque.

Vomitorium are Exits

In reality, a vomitorium was an architectural feature in ancient Roman amphitheaters and stadiums. The word, derived from the Latin vomitus, which means to spew forth, referred to the large passageways that allowed crowds to exit rapidly into the streets.

These passageways were efficient in dispersing large groups of people from the venues, similar to how food is expelled from the stomach.

The false notion of the vomitorium as a place for purging after excessive eating likely stemmed from a misunderstanding of the Latin language.

It was an easy jump from “vomitorium,” a term describing the spewing of crowds, to a place for vomiting. The misinterpretation was possibly fueled by modern literature and an already existing stereotype of ancient Romans as excessively indulgent.

Literary Exaggerations

Classical texts that described Roman feasts and excesses played a role in cementing this myth. Works like Seneca’s Letters and the satirical ‘Satyricon’ by Petronius depicted scenes of lavish Roman feasts and debauchery. These descriptions, often satirical and exaggerated, influenced modern interpretations and led to the vomitorium myth.

Roman feasts, especially among the upper class, were indeed grand. They involved elaborate dishes and communal eating. Entertainment was common, with dancers and musicians adding to the festivities. Women and men dined together, which was a departure from the Greek tradition.

The feasts could include extravagant presentations, but there is no historical evidence to suggest that these gatherings included rooms specifically designated for purging.

Contrary to the image of constant overindulgence, the diets of both wealthy and poorer Romans were predominantly grain-based. The wealthy had more access to wheat and meats, while the poorer sections of society consumed more millet.

This dietary pattern indicates that while the rich could afford more lavish meals, their eating habits were not as extreme as the myth of the vomitorium would suggest.

Debunking the Myth of Vomitoriums

The vomitorium is a great example of how misconceptions can arise from misinterpretations and satirical representations. It wasn’t a space for bingeing and purging but rather an architectural innovation for crowd management.

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Source: “Purging the Myth of the Vomitorium” — Scientific American

WTF Fun Fact 13550 – The Cincinnati Redlegs

In the early 1950s, the Cincinnati Reds became the Cincinnati Redlegs after the team found their name entangled in the political tensions of the era.

As America’s fear of communism grew, particularly during the Korean War, the Reds decided to change their name to the Cincinnati Redlegs between 1953 and 1959. This decision wasn’t about sports; it was a move to distance the team from any communist associations, a concern amplified by the rise of McCarthyism.

Historical Roots and Political Pressures

The original name, the Cincinnati Red Stockings, dates back to 1869, becoming the Reds in 1881. However, the post-World War II era marked a period of heightened suspicion towards communism, often referred to as “The Red Scare.”

Senator Joseph McCarthy’s public witch hunts for communist sympathizers cast a shadow of fear across America. The term “Reds” became uncomfortably close to “Reds,” a common term for communists.

To avoid unwanted connections, the team opted for “Redlegs,” a nod to its historical roots and a safe distance from political controversy.

The Cincinnati Redlegs and Uniform Changes

During this period, some of the team’s most celebrated players, including Frank Robinson and Joe Nuxhall, played under the Redlegs banner. Despite the official name change, the team’s jerseys still sported the word “Reds,” and fans and media often continued to refer to them by their original name.

In 1956, an attempt to further avoid the “Reds” association led to jersey modifications, including a season featuring a Mr. Redlegs logo. However, these changes were short-lived.

Senator McCarthy’s influence dwindled following his senate censure in 1954 and his subsequent death in 1957. With the decline of McCarthyism, the climate of fear surrounding communism receded. By 1959, the team reclaimed its original name, the Cincinnati Reds.

The word “Reds” reappeared on their uniforms in 1961, a year marking their return to the postseason as National League pennant winners. Interestingly, the team experienced limited success as the Redlegs, with only two winning seasons during this period.

Reflections on the Reds’ Name Change

The story of the Reds becoming the Redlegs is a fascinating example of how sports can intersect with politics. It reflects a time when fear and suspicion influenced various aspects of American life, including the world of baseball. The Reds’ decision to change their name was a response to the prevailing political climate, a move to safeguard the team’s image amid national paranoia.

While the Redlegs name was relatively short-lived, it remains an interesting chapter in the team’s history. It signifies how external factors can impact sports teams and their identities. The era also reminds us of the power of names and symbols in representing and reflecting societal values and concerns.

Today, the Cincinnati Reds are firmly established with their original name, with the “Redlegs” period serving as a historical footnote. The team continues to build upon its rich history, contributing to the dynamic world of baseball while staying clear of political controversies that once led to a significant, if temporary, identity change.

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Source: “How the Reds became the Redlegs” — MLB.com

WTF Fun Fact 13647 – The Optical Illusion of the Gateway Arch

The Gateway Arch in St. Louis, a renowned symbol of America’s westward expansion, presents a fascinating optical illusion.

To many observers, this iconic structure appears to be taller than its width. However, the reality defies this visual trickery: the Arch measures precisely 630 feet both in height and width.

This illusion stems from the unique shape and viewing angles of the Arch, challenging our perceptions and adding to its allure.

Engineering Marvel Behind the Illusion

The construction of the Gateway Arch was an exercise of extreme precision. The two separate legs of the arch had to meet with an incredibly small margin for error – less than 1/64th of an inch. Any deviation from this would have prevented the arch from joining correctly.

The success in achieving this feat is a testament to the extraordinary skill of the welders and engineers involved in its construction.

Remarkably, despite the high-risk nature of the construction, not a single life was lost during the building of the Arch. This defies the initial predictions of the insurance company, which expected 13 fatalities due to the project’s complexity and the lack of safety nets for workers.

More Interesting Facts about The Gateway Arch

Another aspect of the Gateway Arch’s design that adds to its distinction is its unique tram system. This system, part elevator and part Ferris wheel was conceptualized by Dick Bowser, a man without formal engineering training. His innovative design solved the problem of transporting visitors to the top of the curved structure, something a traditional elevator could not achieve.

While security concerns generally prevent presidents from ascending the Arch, President Dwight D. Eisenhower was a notable exception. He insisted on riding the tram to the top during a visit in 1967, becoming the only president to have experienced the Gateway Arch from its highest point.

Maintaining an Icon

The Gateway Arch’s recent renovation is an extensive and costly endeavor. Costing over $380 million, this project involves the renovation of the surrounding park, expansion of the museum, and implementation of flood prevention measures. This cost notably exceeds the original construction cost of the arch, adjusted for inflation.

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Source: “8 Facts You Didn’t Know About St. Louis’s Gateway Arch” — Architectural Digest

WTF Fun Fact 13541 – NYC’s Rat Czar


New York City has taken a significant step forward in its war against rodents by appointing Kathleen Corradi as the city’s first-ever “rat czar.”

This initiative is a part of Mayor Eric Adams’ administration’s efforts to address a major quality-of-life and health challenge. Corradi’s role involves coordinating rat reduction efforts across city government agencies, community organizations, and the private sector.

Harlem Rat Mitigation Zone and Funding

As part of this initiative, Mayor Adams also announced the Harlem Rat Mitigation Zone, backed by a $3.5 million investment for Fiscal Year 2023. This investment aims to expand and accelerate rat reduction efforts across Harlem, encompassing Community Boards 9, 10, and 11. The funding will assist in employing new staff, purchasing equipment, and implementing innovative rat mitigation techniques.

Corradi’s strategic plan to combat the rat crisis includes cutting off rats’ food sources and deploying new technologies for detection and extermination. These efforts will harness the expertise of various city agencies like the Department of Health, Parks and Recreation, Housing Authority, Department of Education, Sanitation, and Small Business Services.

The rat mitigation strategy is more than just a quality-of-life issue. It symbolizes the fight against systemic challenges that have long affected New Yorkers, especially in low-income communities and communities of color. The plan aims to provide equitable quality of life experiences for all New Yorkers.

Collaborative Approach and Public Involvement

The strategy emphasizes the importance of each New Yorker playing their part in creating a rat-free city. This includes keeping homes clean, securing trash, destroying potential rat habitats, and adhering to common-sense tips. The city plans to offer Harlem-specific rat academies, teaching residents how to prevent rat infestations on their properties.

In support of the initiative, the Mayor’s Fund to Advance New York City received a donation of over 1,000 Tomcat rodent control products. These will be used across various city locations, aiding the fight against rodent infestations.

Long-Term Vision for the Rat Czar

The appointment of a rat czar marks a new era in New York City’s approach to pest control. The long-term goal is to produce a cleaner, more livable city for future generations. This effort represents a bold and creative approach to tackle one of the city’s most persistent problems.

Kathleen Corradi brings a wealth of experience in community engagement, program development, and facility operations. Her background in science and expertise in rodent mitigation positions her to lead this challenging and crucial initiative effectively.

The Adams administration has shown its commitment to addressing quality-of-life issues through various initiatives, including the ‘Get Stuff Clean’ program. The rat czar appointment further emphasizes this commitment, aiming to make New York City a cleaner and healthier place for its residents.

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Source: “Mayor Adams Anoints Kathleen Corradi as NYC’s First-Ever ‘Rat Czar'” — NYC.gov

WTF Fun Fact 13539 – Research in Space

The future of ophthalmology could be in the stars, quite literally – LambdaVision, a groundbreaking company, is exploring research in space.

The company is testing the outer limits of medical science by developing a synthetic retinal implant. This innovation could revolutionize treatment for degenerative eye diseases. Their method involves the intricate layering of bacteriorhodopsin, a light-reactive protein, to mimic the retina’s function.

Artificial Retina Research in Space

This delicate process, termed “layer-by-layer deposition,” traditionally involves transitioning a gauze piece through multiple solutions hundreds of times. The challenge? Sedimentation, evaporation, and convection significantly impact the formation of these vital thin films.

Wagner believes the microgravity environment of the International Space Station (ISS) could be the solution. In space, the absence of these earthly constraints allows for more precise film formation.

On April 27, 2023, SpaceX’s Crew Dragon spacecraft, bearing the experimental setup for LambdaVision’s synthetic retina, docked with the ISS. This venture was part of NASA’s Crew-4 mission’s extensive scientific agenda.

The Crew-4 team, consisting of NASA astronauts Kjell Lindgren, Robert Hines, and Jessica Watkins, alongside ESA astronaut Samantha Cristoforetti, engaged in various experiments over their six-month mission. Their tasks ranged from studying microgravity’s effects on the human nervous system to trialing innovative plant growth technologies.

One experiment that stands out is the Beat project, a brainchild of the German Space Agency. It involves astronauts wearing smart shirts embedded with sensors to monitor vital signs like heart rate and blood pressure.

Manufacturing the Future in Microgravity

Dr. Wagner envisions manufacturing the synthetic retinas on the ISS or future commercial space stations. This approach could significantly enhance the quality and functionality of these implants.

LambdaVision is still a few years away from clinical trials, but the work conducted on the ISS could expedite this timeline.

If successful, their space-manufactured synthetic tissues could restore sight for individuals suffering from conditions like retinitis pigmentosa or macular degeneration.

Implications and Aspirations of Research in Space

LambdaVision’s ambitious project is more than a scientific endeavor; it’s a beacon of hope for those grappling with vision loss. Their success could pave the way for more space-based biomedical manufacturing, leading to breakthroughs in various medical fields.

The ISS becomes not just a research facility but a vital production center for advanced medical therapies.

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Source: “Astronauts to help build artificial retinas on Space Station” — The Independent

WTF Fun Fact 13538 – Michel Lotito

Michel Lotito, known as ‘Monsieur Mangetout’ (Mr. Eat All), was not your average eater. His diet included items that most would consider inedible: metal, rubber, and glass.

Lotito’s extraordinary consumption habits earned him a place in the Guinness World Record for the world’s strangest diet. Among his most remarkable feats was eating an entire airplane, along with bicycles, razor blades, and more.

The Method Behind the Madness

Born in 1950 and passing away in 2007, Lotito’s unique eating habits began in his teenage years. He discovered his ability to consume non-food items and developed a taste for them.

To prepare these items for consumption, he cut them into bite-sized pieces using an electric power saw. He swallowed these pieces whole, like a pill, aided by mineral oil and water to lubricate the process. Surprisingly, he managed to excrete these materials without significant problems.

Lotito’s preparations for consuming such bizarre items were meticulous. He had an incredibly high pain threshold, which he attributed to practicing sophrology, a form of self-hypnosis and relaxation. His first experience with eating glass at the age of 16 led him to explore other inedible objects.

What started as a simple party trick evolved into a lucrative career. Lotito performed in various shows, displaying his unique talent. He could consume items like bicycles, which he would eat over several days, and even razor blades, plates, and metal pieces.

The Anatomy of Michel Lotito

Lotito’s unusual diet is attributed to pica, a psychological disorder characterized by eating things that are not food. However, Lotito believed his physical makeup played a significant role in his dietary choices. He claimed to have incredibly strong teeth and powerful gastric juices that could melt metal.

Despite his unique ability, soft foods like bananas and hard-boiled eggs caused him discomfort. While there were doubts about whether his body was genuinely different from an ordinary person’s, his long-term doctor expressed concerns about the impact of his diet on his health.

Legacy of an Extraordinary Eater

Monsieur Mangetout’s diet remained a fascinating and cautionary tale. He passed away in 2007 due to natural causes. The extent to which his diet influenced his health or his death remains a mystery.

Over 15 years after his passing, Michel Lotito’s story continues to intrigue and caution new generations. As a performer, entertainer, and record-breaker, his legacy as a truly one-of-a-kind individual lives on.

Michel Lotito’s story is a testament to the incredible adaptability and resilience of the human body. His ability to consume what most would find inconceivable not only challenged our understanding of what is possible but also provided a unique perspective on the human experience. Whether it was his mental fortitude or a unique physiological makeup, Monsieur Mangetout’s life remains a fascinating chapter in the annals of extraordinary human behaviors.

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Source: “The man who ate metal: Monsieur Mangetout’s strange diet” — Guinness Book of World Records

WTF Fun Fact 13537 – Apologies in the Workplace

In a study by the University of Arizona, researchers revealed that non-stereotypical apologies in the workplace can enhance communication. This study challenges conventional norms, emphasizing the power of breaking gender stereotypes in apologies to repair trust and foster collaboration.

Gender Stereotypes and Apologies in the Workplace

Sarah Doyle led a research team to explore the nuances of effective apologies in professional settings. Their focus? The impact of gender stereotypes on the perception of apologies. Traditional masculine language, characterized by assertiveness and confidence, and feminine language, known for its warmth and nurturing qualities, were used as benchmarks. Surprisingly, the research found that apologies that deviate from these gender norms were perceived as more effective.

Celebrity Apologies on Social Media

The research commenced with an analysis of celebrity apologies on Twitter. This platform, a hub for public statements, provided a rich dataset of 87 apology tweets from various celebrities. The response to these tweets revealed a pattern. Female celebrities who used masculine language in their apologies received higher engagement and more positive reactions.

The study extended beyond the virtual world into more relatable workplace scenarios. Researchers created situations involving accountants and nurses making mistakes and issuing apologies. Participants in these studies consistently found counter-stereotypical apologies more effective.

For women, using a counter-stereotypical apology increased the perceived effectiveness by an average of 9.7%, and for men, by 8.2%.

The Impact of Counter-Stereotypical Apologies

This research underscores the importance of moving beyond stereotypical patterns in our apologies. By adopting language and approaches that defy gender norms, individuals can enhance the impact of their apologies, leading to better outcomes in conflict resolution and trust-building.

The findings from the University of Arizona research team suggest that the way we construct apologies is as important as the frequency with which we offer them. This shift in focus from quantity to quality in apologies could pave the way for more effective communication strategies in diverse settings.

The study’s results have significant implications for professional environments, where effective communication is crucial. By encouraging individuals to break free from stereotypical language patterns in apologies, organizations can foster a more inclusive and collaborative atmosphere.

Rethinking the Construction of Apologies in the Workplace

As we move forward, this research encourages a deeper consideration of how we construct our apologies. The study highlights the potential for nuanced, thoughtful apologies to make a substantial difference in interpersonal relationships and professional settings.

The University of Arizona’s study on apology psychology offers a fresh perspective on effective communication. By challenging gender stereotypes in the language of apologies, individuals can enhance trust and collaboration in the workplace. This research not only adds a new dimension to our understanding of apologies but also opens avenues for future exploration in communication dynamics.

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Source: “Apology psychology: Breaking gender stereotypes leads to more effective communication” — ScienceDaily

WTF Fun Fact 13622 – 3D Printed Robotic Hand

A significant leap in 3D printing has emerged from ETH Zurich and a U.S. startup. They’ve created a robotic hand that mimics human bones, ligaments, and tendons. Unlike traditional methods, this innovation uses slow-curing polymers. These materials offer improved elasticity and durability.

Led by Thomas Buchner and Robert Katzschmann, the project utilized thiolene polymers. These materials quickly return to their original form after bending. Hence, they are perfect for simulating a robotic hand’s elastic components. This choice represents a shift from fast-curing plastics, expanding the possibilities in robotics.

Soft Robotics for a Robotic Hand

Soft robotics, illustrated by this 3D-printed hand, brings several advantages. These robots are safer around humans and more capable of handling delicate items. Such advancements pave the way for new applications in medicine and manufacturing.

The project introduced a novel 3D laser scanning technique. It accurately detects surface irregularities layer by layer. This method is essential for using slow-curing polymers effectively in 3D printing.

ETH Zurich researchers collaborated with Inkbit, an MIT spin-off, for this venture. They are now exploring more complex structures and applications. Meanwhile, Inkbit plans to commercialize this new printing technology.

This breakthrough is more than a technical achievement. It marks a shift in robotic engineering, blending advanced materials with innovative printing techniques. Such developments could lead to safer, more efficient, and adaptable robotic systems.

Educational and Practical Benefits

The success in printing a lifelike robotic hand has implications for both education and industry. It bridges the gap between theory and practice, potentially revolutionizing robotics in various settings.

The ability to print intricate robotic structures in a single process opens doors to futuristic applications. Robots could become more common in households and industries, enhancing efficiency and convenience.

This milestone in robotic engineering demonstrates the power of innovation and collaboration. As we enter a new chapter in robotics, the possibilities for applying this technology are vast and exciting.

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Source: “Printed robots with bones, ligaments, and tendons” — Science Daily